Walter Brueggemann, From Whom No Secrets Are Hid: Introducing the Psalms, editor: Brent A. Strawn, Louisville: Westminster John Knox Press, 2014.
This book is Brueggemann at his very best. Earlier this year I was disappointed with his long-awaited commentary on the Psalms, but this tome surpassed expectation. What makes this book so exciting is that it manages to be scholarly as well as approachable, engaging and lively. This makes for such a potent combination that the book defies easy classification in terms of its audience. I would recommend it to anyone who wants to think through what the Psalms are, and how they should be used holistically in worshipping communities. It is the latter concern that is at the forefront of Brueggemann’s thinking and passion.
Arguably, Walter Brueggemann’s most significant contribution to Psalms scholarship is his famous essay: The Psalms and the Life of Faith: A suggested Typology of Function. This essay is helpfully reproduced in an appendix. Readers new to Brueggemann on the Psalms might profitably start here. Although they should note that the rest of the book is a less demanding read in terms of the necessary scholarly background.
Whilst every chapter of the book is engagingly written and profitable in understanding various facets of the Psalter, the first two chapters are especially insightful. Both of these opening chapters covers a lot of ground. Chapter 1 is an Introduction to the Book of Psalms. The chapter opens with a masterful definition of the Book of Psalms, which the chapter first unpacks and then explores. I quote the definition here, to wet the appetite:
‘The book of Psalms, complex in its formation and pluralistic in its content, is Israel’s highly stylised, normative script for dialogical covenantalism, designed for many “reperformances”‘.
In this opening chapter, the emotional extremes of lament and praise are explored. Brueggemann argues that these two extremities of emotion, which are affirmed by the Psalms, ensure that faith cannot become either ‘rigorously moralistic, on the one hand’ or narcissistic on the other. This conviction of the Psalms’ transformative capacity typifies Brueggemann’s conviction as to their ongoing efficacy.
The second, and longer chapter, echoes the claims of Karl Barth and his ‘Strange New World of the Bible’. Brueggemann argues that the Psalms provide a counter-world to the world that others present to us. He works this out by suggesting seven underlying tenets of our ‘closely held world’. Those familiar with Brueggeman’s work will not be surprised at the issues highlighted here or the inherent critique of what we be termed Western values (my phrase). The second half of the chapter presents seven claims of the Psalms, which are variously a counter, antidote and denial of the seven worldly myths. The existence of this counter-world is reason enough to make time for the Psalms in their entirety.
The other fourteen chapters are an eclectic mix, and yet despite the fact that this is an edited collection it has cohesiveness in style and content. Throughout the whole collection, the same passion for hearing all the Psalms, and embracing their challenge and complexity is displayed. Although Brueggemann rarely refers directly to his orientation, disorientation and reorientation paradigm, of the Appendix, it’s consequences are there throughout.
Particular highlights include:
1. How Brueggemann brings the Enthronement Psalms (47, 93, 96, 97, 98 and 99) to life, something which traditional form criticism often fails to do.
2. An honest assessment of both the ‘glad’ and the ‘sad’ psalms on Jerusalem, showing that an appreciation of these competing dynamics prevents any naivety concerning modern Jerusalem.
3. An exciting proposal to reclaim psalm 137 for use in worship in a chapter on the Rhetoric of Violence.
I am pleased to recommend this book to anyone who who wants to engage with the Psalms seriously with a view to using all of them in worship. The book does assume some familiarity with theological ideas and terminology but is less technical than Brueggemann’s previous collection of Essays on the Psalms (The Psalms and the Life of Faith, edited by Patrick D. Miller). Whether you read this book, or not, do make sure you enter the counter-world of the Psalms.